고려와 중국왕조들의 아악악장 비교 - 고려와 송・금・원을 중심으로

초록

It was the Yeak(禮樂) culture that spread from developed regions to undeveloped regions and created a common spiritual order. By establishing the Yeak system based on Confucian ideology accepted by China, medieval universality could be realized. And, either the ruling class or the lower class used it as the basis for their pride in their dynasty. The pride about the royal ruling system established according to Heaven’s command, the virtues of a benign rule for the people, and the legitimacy to perpetuate the dynasty build with difficulty were key themes they wanted to put into music and Akjang(樂章). There is no doubt that the Aak(雅樂) Akjangs were strongly influenced by the Song Dynasty's Akjangs and most of the Yeonhyang(宴享) music, such as the Tang-ak(唐樂) of Goryeo and the traditional music of Song, were strongly influenced by the Tang-ak or Songsa(宋詞) introduced through Song. Above all, the fact that the Goryeo Dynasty considered introducing and using Chinese music as a part of its survival diplomacy in the realities of international politics, which were formed by Tang, Song, Jin, Yuan, and Ming, shows that Yeak was not just a matter of ritual. It is very important to define in this paper the fact that the late Goryeo regime was influenced by music or Akjang at the Song, Jin, and Yuan. It was because it could be a contemporarily political and diplomatic issue of the time beyond the boundaries of music or Akjang. During this period, North Song, Kitan, and Yeojin struggled for supremacy, and Goryeo was closely watching this situation and engaged in very realistic diplomacy. Therefore, the fact that some of these dynasties are mixed in the music and Akjang of Goryeo reflects such a complex reality. The Emperor Hwijong of the Song Dynasty included music in the objects of assimilation by saying, "The king of Goryeo has been outside and has been assimilating for adoring righteousness, and I give music according to his want." It was shown that the rulers of the time realized that music did not just end in music, but expanded into Akjang and ceremonies, resulting in a system of Yeak, and eventually sublimated into the culture of an era that showed the dignity of the dynasty. It is the meaning of assimilation to accept other people's perspectives or ideologies and transform them into their own consciousness. Therefore, it is also a concept that extends from sharing the universality inherent in the Yeak system or culture to the political level. Therefore, the similarities shared across languages and borders by these four dynasties should be seen as a kind of universality that has no choice but to admit beyond the differences between times and regions. And the universality is based on Confucian ideology and Chinese character culture. That's why there is clear evidence in music and Akjang which shows that Goryeo joined the ranks of the medieval dynasty from the angle of Yeak cultu

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